Have relaxation as a focus at the outset of your practice session and you will find yourself playing cleaner and for longer periods. Getting rid of tension is important especially for nervous situations where our anxious state almost forces us to grab, clench, and over-play. I call the French Frogs some times because I read a lot of classic. For example, in an I-M alternation passage (index finger and middle), if you feel fatigue in the ring or pinky fingers there is probably counterproductive tension. not a mild swearword at all, but a slur that would seriously get your block. For the right hand, you should not feel tension in any of the fingers that are not being used. 11-92, Look Heart, No Hands, and classic 1(1) C, 7-88 Honky Tonk Man. Try to make the note(s) buzz and then gradually add more pressure to make the note(s) sound with the desired dynamics, color etc. Goode' story: Kid with gunny sack guitar by railroad track. Chances are you hand apply less pressure in the left hand. It covers everything you need to know the minute you pick up a classical guitar for the first time. Check out his Classical Guitar Lesson 1a. Now without playing again with your right hand, bring your second finger down like a ton of bricks onto the second fret of the sixth string. They can be used for technical or musical purposes. Highlight this area in the score and make sure that when you are doing sectional practice (not practicing the music in continuity) that you pay particular attention to how much energy you are expending when playing the passages that come before the area where your hand is fatigued. If you are an absolute beginner to classical guitar and you want to make sure not to leave any of the basics out, your classical guitar lessons online should include a stop at Steve Higgs’ YouTube channel. Hammer-ons) on the Classical Guitar: -Place your first finger on the first fret of the sixth string. Slurs or legatos are: a way of producing 2 or more sounds by only plucking a string once.
Use the mock performance to analyze areas where your hand feels sore or fatigued.
These difficulties may include bar-chords or some kind of rapid right hand movement like a scale passage. If the minimum amount of tension is used then more energy is saved allowing you to have more energy when playing the really difficult passages. The ability comfortably play a piece or program in it's entirety relies heavily on knowing how much energy to use at all given times.
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